Poetry By Lynn White
Times Gone By
They were the best of times.
They were the worst of times.
Or so it is said.
And now the new times
look much like the old times.
And now we look much like the old
versions of ourselves
looking for love,
rejecting glory.
Living in our time.
© Lynn White
Poetry By Malisa Anne
Pool day
We both said things we didn’t mean
You took me to the shallow end
I sank deep
Begging for your helping hand
Drowning in the regrets of time lost
The emptiness in your eyes
I sink deeper
Tell me now in these last seconds
The reasoning behind all your life lessons
Please just give me your hand
Watch as I pull you under
Exile you from land
Suffocate you like you did me
This game has no winner
Neither of us creatures of remorse
Lungs filling now
We finally lost our chance to speak
Isn’t it funny how
We’ll die to keep our promises incomplete
© Malisa Anne
Poetry By Andrew Pettigrew
Broken Toys
The government issued a demand that every child should
return us immediately. Warnings that we were not safe. That we
could cause harm without adult supervision. Some protested and
hid us in their attics or basements alongside
the Christmas decorations. But most of us were seized
and brought back to the Factory. Full refunds
were guaranteed (see our return policy) while we
were placed on conveyor belts and
trundled through monstrous machines. They were like
gods, shaping us, tearing our clay apart. Some
died screaming, others apologising, most in utter silence.
We were toys whose impairments — sightless eyes,
broken ears, unmoving legs — were
no longer considered entertaining. A waste of funds.
We all ended up in junkyards, scattered
scraps of bone, non-recyclable flesh. They kept some of us —
my left leg got sold second-hand on eBay —
but that’s no consolation. And that’s what happens
when people keep pursuing perfection:
The broken toys get abandoned first …
And then they come for you.
© Andrew Pettigrew
Poetry By Ivan Pozzoni
Writing Will Come Like A Heart Attack On An Autumm Night
Writing will come again, countless times, in life,
sweeping away colonels like a revolution,
throwing every admiral overboard,
it will come again to brand the backs of hands
stamped by the ardor of embers,
to dust off mechanics sealed inside a coffin,
artists gripping, between dead fingers, wrench keys,
and it will come again, as punctual as the schedule of a hearse.
Writing will come, rinsing cassocks and babydolls
in the muddy tides of tsunamis,
submerging every reaction in the frenetic atony of waiting,
dragging away, in the undertow’s oscillation, somatic encrustations,
insatiable feelings, illness-induced stress, dreams / projects,
frustrations of labor flexibility, new loves,
irrigating the wreckage submerged in our pockets
as men of the city.
Writing will come like a heart attack on an autumn night,
it will come by vanishing, without granting us the daring to consent,
and it will vanish by arriving,
condemning us to remain empty-handed.
© Ivan Pozzoni
Poetry By Yongbo Ma
Poet in the Desert
This is a wooden tavern in the desert. Sand leaks in
between the cracks in the planks; wind and white light.
There is no road outside, only sand;
slightly hot sand, flowing silently.
In groups of two’s or three’s, in the tavern,
people chat about their dogs and the weather,
the driving forces of history, medical care and education.
From time to time they smoke, and the smoke
fills the space and silence in-between them.
The androgynous bar owner,
with unknown origins, never speaks;
just repeatedly wipes a few empty bottles all the time.
Railroad engineers, gold diggers, farm boys,
bounty hunters, fugitives, mounted police, prostitutes,
or fallen noblewomen of the city,
come and go, here, a brief connection occurs.
In the darkest corner, at a cracked wooden table,
a poet is always playing cards alone.
No one disturbs him, and he doesn’t know anyone.
The sharp edges of the cards make cutting sounds against each other.
If he is lucky, there will be a blue light on their dark edges,
flickering like lace. He is not fortune-telling.
Occasionally, he just glimpses himself
in the smoothness and sharpness of the cards; in the order and chaos.
On the dry cards, the patterns have long since blurred,
no one knows when he disappeared.
The ancient tavern, with more and more scattered sand,
exudes the aroma of driftwood and memories.
© Yongbo Ma
Poetry By Brenda Mox
Onward Rush Of Time
The air was thick
with the heat of June
as he stepped outside
into a slanting
blue-green world
of shadows and sunlight.
A gust of wind battered him
in a funnel of hot air.
But he stood like a rock
in water, watching
it all gush pass,
irreverently immune
to the onward
rush of time.
© Brenda Mox
Poetry By Benjamin Kranz
Primal Science
Primal science,
the trial-and-error appliant
absorbed by growing waves
wherein the population
progresses pass past violence,
Flame of the First Fire
Took hold to free up the Conscience Pilot,
Bifurcating chance into illuminated paths
That would advance the species
To ensure an existence of much mileage
Once when food scarce,
Hunting and foraging bands roved
Savanna and all manner of landscape
Looking for hidden calorie troves
Uncertain until signs arrived
Learned colors to know die or survive
Patterns seemed to pop out
of a plane in the brain unknown,
This internal zone derives
Where dancing light-bulbs make home,
Unearthed secrets
That helped roaming tribes
Tend a patch and thrive
Allowing more time
For other wonders of the Mind,
No longer a hindrance,
Experimentation gained prominence,
Searching for other hidden benefits
Of which would help bands
Unite into a fabric strong in resilience
Over time, layers accrue
Spectacular absorbed by the milieu
Technology leads to density
Possibilities arise in closeness within cities
Spurred by myriad proximities
Complexity spreads in a dense bloom
Exhumed information laden
Revealed as only Change may do
Though past epiphanies
Lost luster in stretching duration
What was once external
Becomes innate information
Knowledge Foundation
What seems basic, the basis,
Was formerly the Peak
of Human Imagination
Mindlessly
Often we ambulate
Natural in gait
As Evolution
Demonstrates
Up layers of substrate
On the crest
Called the Present Day
We used to swing
Limb-on-limb
Through the leaves
Summing sweet wind
But then Mind was used to find
Circumconventions
That liberated wonderment
Revelations relevant
Progressed up the gradient
Towards thoughts radiant
Elevated to free upper limbs
For dexterous tool implements
Now none longer marvel over microwaves and hammers
But in their convenience simple genius becomes subtle in grammar
Gradually new becomes old, built into language parameters
Meaning grows in complexity showcased in such as iambic pentameter
We take gloss for granted of those who came before the hide met the tanner
There’s a primal science
Holding up higher pursuits
Through trees
Inside stars
Of particles
With Living
Ever seek the fresh crest
Wonder
Question
Ask…
Where should we climb to Next?
And How?
Because Why is set in the stone that gave us skin
Deep in the Mind
We order oblivion
We wield fire for the first time
We plant seed for the first time
We roll with the first revolution of the first wheel
We smash particles at past-99% light-speed
We cook food ancient-to-experimental recipes
We ride rockets like lighthouses into Infinity
For what is primal is still science
And science is consciousness wondering:
What else is there in this
Evolving
revolving
Exploding
rotating
Eternity?
Primal science
Holds up the Tower
Built for the sky & beyond
Balances trajectory
Harmonizing notes of the Song
Let’s walk
Without threat of violence
Ride the sine waves
Of a ringing gong
Upon the solid steps of
Primal Science
Where day breaks
Forever upon dawn
Light innate without flicker
This Fire ever
Shines on
© Benjamin Kranz
Poetry By Timothy Horne
A Winter Revelation
The coming winter cold
With its grey darkening days
And frigid promise of ice
Descends
And with it
Blows
A chill north wind
To strip the trees
Of their colours
And inadvertently reveal
The heretofore
Unseen beauty
Of crystal lakes
With the cragged strength
Of rocky outcrops
Looming behind.
© Timothy Horne
Poetry By David Tovey
Feeling a bit strange today
Feeling a bit strange today, like my body has a hole
I feel like a light has been switched off and stolen from my soul
My body feels heavy and cold
I’ve eaten three breakfast but still feel hollow
I can speak, but there seems to be no echo a silence a silence in stereo
So I’m feeling a bit weird as if last night something got cut from me and borrowed
And now I’m feeling even more hollow
I feel a bit lost and lonely and with this deep beating sorrow
As if something bigger is coming some sort of horror
I’m anxious I’m scared and I just wanna holler
Scream and cry out all that bother
there’s something building up like 100 piece choir
I feel the trembles the symbols and the kettledrums wobble
Feet stamping people chatting a Mozart ensemble
All this noise confusion supposedly makes you stronger
But today I feel weak, broken hollow and sombre
Affair like no other I’m gonna have to phone my mother because something isn’t right. Is there a loss, a disaster or is it my brother?
This uneasy feeling feels like my life‘s last thunder
Something is not right I’m treading water and slowly going under
Gasping for breath, Gasping for breath, it’s a panic attack panic attack, clap clap that last thunder
A slow beat no rhythm my time on Earth feels over
A wish I wish I’ve had As far as I can remember
But now I wish I had more time for one lastclap of thunder
As my breath fades and my heartbeat slows, I’m down on my knees with no place to go. I know it’s that time I can feel it inside as my Organ stop with That last clap of thunder.
Clap………..
© David Tovey
Poetry By Wilma Fellman
Love me for what I am
I’m not the patient, quiet kind
Collecting facts, deciding odds
I can’t sit back and be the lamb
Please love me for what I am
Protect I will, share all I know
Make you aware of what I’ve learned
I’m not a fake, I give a damn
Please love me for what I am
I can’t live in your fantasy
I’m only what you see right now
I’ve grown a lot to where I am
I want the chance to show you how
I’ll teach you how to taste life’s fruit
To be so proud of who you are
To feel inside your own program
Please love me for what I am
© Wilma Fellman
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