Documentary Photography – Dancing Before Showtime In Philadelphia USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA
This documentary photography essay was submitted to Edge of Humanity Magazine by photographer Thomas Weir.

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA
Click on any image to see Thomas’ galleries of projects and photographs.

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA
Click on any image to see Thomas’ galleries of projects and photographs.

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA
Click on any image to see Thomas’ galleries of projects and photographs.

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA

“Of Our Remnants”
Fringe Arts in Philadelphia
Choreographer: Olive Prince
The Iron Factory Studio, Philadelphia, USA
See also:
By Thomas Weir