Photographer Monika Merva is the Edge of Humanity Magazine contributor of this photo essay.  These photographs are from her project ‘Origins‘. To see Monika’s projects click on any image.

 

Double Yolk
Double Yolk

 

Bronka
Bronka

 

Dad
Dad

 

Hydrangeas
Hydrangeas

 

Lilla
Lilla

 

This body of work is about beginnings and endings, life and death. I photograph subjects that are quiet, yet evoke emotional intensity to illustrate the passing of time. It is about securing the people and moments that have given shape to my life through images. Equally, it is about the awareness of how an image marks the last vestige of time: moments created and disintegrated at the same utterance.

Making photographs allows me to contextualize my faith. These images are intended to provoke the viewer to search and feel out the fleeting and search for their foundation. My intention is to make images that compel the viewer and deepen his or her own personal inquiry by looking intently and intimately for one’s personal and familial symbols.

 

Doki
Doki

 

Doki's Hand
Doki’s Hand

 

Alicia
Alicia

 

Gutted Fish
Gutted Fish

 

See also:

The City Of Children

By Monika Merva

 


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