Photographer Hiroyo Kaneko is the Edge of Humanity Magazine contributor of this photo essay.  From the project ‘Appearance’.  To see Hiroyo’s body of work, click on any image.


Cielito lindo
Gino (Santiago) G, 2014


Funauta (Boat Song)
Takako , 2014


By photographing the act of singing, I try to capture both the uniqueness and commonality of each subject. Naturally, they have their own individual physicality—how they open their mouths, move their body and finally how they connect with their audience, whether real or imaginary. They seem to stand right at the threshold of self-expression and self-consciousness. The act of singing is both personal and social; my role as the photographer is to catch that moment when both aspects intersect.

The work is based on my experience as a stranger abroad. I moved to the United States from Japan in 2002. Since then, I have experienced alienation followed by acceptance, one encounter after another, while trying to enter a new society. I often felt like a child who was newly entering the world. I identified with the awkwardness, vulnerability and courage in the expressions of children, as they were trying to find ways to relate to others and their environment. I became interested in collecting those moments at their most fundamental state, stripped of props, context and backstory.


Muema’s House Music
Muema, 2015


Almost Like Being In Love
Evan C 2015


This project began in 2010 with children in San Francisco, a city with a diverse population but with a consciousness about community. Then I continued the project in Tokyo, my home town. That is when I realized my own pursuit of individuality within a community. That is what led me to not limit myself to only photographing children but to also include adults. While singing, children sometimes show a daring expression, while adults might show us a glimpse of naiveté. These moments gradually link one another beyond age and origin.


Green Green
Kazuko, 2014


Killing Me Softly
Nearness of you
Make you feel my love
Can’t make you love me
Yumi K 2017


Mama Said Knock You Out
David H, 2015


My subjects are not of a particular social class. I met each person either by chance or introduction: in any case they all obliged to sing for me. I believed that “I appear to others and others appear to me.” Each session was spontaneous cooperative action. This “space of appearance” is my form of performance between subject, artist and viewers which comes alive when shared.


Dr Dreame’s Mouth Music
Dr Dreame, 2018


All images and text © Hiroyo Kaneko



See also:

Garden Project

By Hiroyo Kaneko