Venice | COLOR

 

Photographer Cristiano Volk is the Edge of Humanity Magazine contributor of this photo essay.  From the book/project ‘Sinking Stone’ To see Cristiano’s body of work, click on any image.

 

 

 

 

 

Sinking Stone by Cristiano Volk shines a mirror on Venice; the theatre, history, tourism and excesses of a tragic city; beautiful but flawed and decaying.

Drawing on traditions of baroque theatre, sculpture, architecture and painting, Cristiano’s photographs shine a harsh light on the contrasting surfaces and residents of the city.

 

 

Sinking Stone is a modern day Vanitas, showing both sides of Venice – a town immortalized through its history and tourism and a precarious, unstable island sinking into water.

The constant invasion of tourists creates a sort of living theater, full of moments and opportunities. Volk concentrates on the body language, gestures and poses of these flocks, desperate to photograph, pose and record with grotesque regularity, without penetrating the surface of the city. Cristiano’s color work also relates to the Venetian pictorial technique of “tonalismo”, which meant depth was achieved by means of the use of color.

 

 

In Sinking Stone, the use of flash and of a limited color palette points to a different end: illusionistic space is constantly challenged by overexposed areas and awkward angles.

Cristiano’s Venice appears like a Gorgon mask, a vulgar, almost overwhelming face which behind reveals little. After all, vanus, the Latin root word for the city, means empty.

 

 

 

All images and text  © Cristiano Volk

 

 

Sinking Stone

Book by Cristiano Volk | Witty Books

 

 

See also:

Mélaina Cholé

By Cristiano Volk

 

 

 

 

Edge of Humanity Magazine is an independent nondiscriminatory platform that has no religious, political, financial, or social affiliations.

We are committed to publishing the human condition, the raw diverse global entanglement, with total impartiality.

 

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