Artist Brandy Trigueros is the Edge of Humanity Magazine contributor of this photo essay. From the project ‘The Dadabyte Theater’. To see Brandy’s body of work, click on any image.
2017
2020
2017
2017
An ode to the Dadaists and Bauhausian artists of the 20th century, “The Dadabyte Theater” explores the technologized body within the present Fourth Industrial Revolution. Utilizing in-camera autoportraiture, I reflect on the complexity of contemporary cyborg configurations and attempt to find balanced modes of being in a hyper-connected, mechanical society dominated by technology. Parts of my body recede into the imagined dark spaces of history and the Internet, as other parts are being shaped and forced to conform to expectations of femaleness within regimented societal structures. Autonomous machines of war, labor, pleasure, care, companionship and other computational systems of control and comfort are being produced within this dizzying systemic capitalist merry-go-round. By using products of industry, I aim to illustrate the constraints, contradictions, and complexities of our technological entanglement and chose to explore my own agency and autonomy through this work.
2020
2019
2017
2018
2018
All images and text © Brandy Trigueros
See also:
There’s No Other Like Your Mother
By Brandy Trigueros
Edge of Humanity Magazine is an independent nondiscriminatory platform that has no religious, political, financial, or social affiliations.
We are committed to publishing the human condition, the raw diverse global entanglement, with total impartiality.
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