Photographer Junko Miyama is the Edge of Humanity Magazine contributor of these images. From the series ‘Constant – Milan Lines’. To see Junko’s body of work, click on any photograph.
Artist Statement The difference between what the human eye sees and what the camera´s mechanical eye captures fascinate and motivates me. I use photography to realize this metamorphosis of the image. What exists to our vision undergoes a somewhat mysterious and often accidental or unintended transformation through how the camera records what we lay before it and how we manipulate it. Using long exposures, double exposures, solarisation, and repetition I am working with the camera to create this transformed and unrecognizable vision of daily objects. It is important to me that the image still has its earthly qualities, while departing from reality is still there. While I intervene with certain techniques on the capturing of the image, I invite the poetic accidents of nature to play their part also. This is an essential element to my work, as what will happen when I push the shutter can never be fully controlled. This needs to always be in control. I surrender to the gift that nature provides.
All images and text © Junko Miyama
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By Junko Miyama
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At first, it looked like the, cement concrete, but as I scrolled down to see more, it’d, looked more like, felt, a very, odd, experience, looking at this, collection of photo you got here.