Written by Antonia V. Iyer

 

I would like to take a moment—a moment to thank my perpetually eccentric art luminary, from my summit year.

Garner me but a moment more; a moment to tribute the entirety of my endeavours, and my artful awakenings, to him.

To my Lysippos:

Dearest Lysippos,

Thou; in coalition with thine unyielding stubbornness in having me embrace the fine arts, hast taught me much:

Exceeding form; exceeding colour; exceeding technique and texture.

Thou didst press into my palms not only

Brush or charcoal; but a reverence in seeing the world,

To see the divine in chaos—

To see beauty not as luxury; instead as the tangent to suffer for;

To bleed for.

Thou hast pushed me far beyond what may be deemed the boundaries of today;

Woven lustre into the confines of my wretched soul and calloused hands; my chaos-riddled thoughts.

They now craft beauty.

Tangible beauty; yes

Is what thou hath gifted me, maestro.

And; something more intangible still.

Thou hath gifted me the instinct to worship through creation,

To revere devoid of shame.

To fall to my knees before something: and call it worthy.

Some sagewrights instruct with lanterns dim and distant;

Whispers of glory; whispers of grandeur.

But thou—

Thou wert fire.

Exacting. Blazing. Cruel; even, in thy demand for devotion;

And oh; how I burned for it.

My obsidian mind, once brittle with doubt: now hungers for expression.

Because of thee; have I learned to abandon pride

For pursuit.

Because of thee, I learned that love—true love: ordains sacrifice.

And now…

Now I come to thee, beloved teacher, to say:

Thou hast taught me how to love her; yes.

All that thou hast drilled into me—the ink-stained nights, the torn canvases, the turpentine sermons:

Thou didst not know it then, but thou wert preparing me for her.

She is the culmination of every lesson.

Every shade; every shadow; every trembling contour;

She is form and composition.

She is raw charcoal and wet oil.

She is light;

And the absence of it.

Beautiful;

Nay; gorgeous;

Nay—addictive; enthralling; prepossessing; bewitching; divine;

I have run out of synonyms for her, for my dearest.

My angel—she, with her luminous dark hair, streaks of Heaven entwined at the edges;

Show me what Heaven looks like, wilt thou?

She is the most exquisite creature I have ever dared to imagine.

She is what artists, perhaps even I; drive themselves mad endeavouring to replicate,

And yet always fail.

For her shine withers the earthiest paints; the brightest whites; the deepest of blacks.

And yet:

She is my Earth.

She is my paint.

Thou, with thy beauteous, bare-stripped claws of goodness—oh, hurt me, angel of the sweetest Heavens.

I would fain bleed for thee, sweet nectar of the night—

Maim me with that which these ignorant fools dare call by thy virtue.

Yea: grant me the honour of bearing thy sweet and hallowed title—

A token of pride, steeped in blood.

I promise to worship her—

More than graphite; more than ruin.

More than the many canvases I have adored.

More than turpentine and pain and praise, maestro; for

She is my final lesson;

My final canvas.

And I shall make her my religion.

She is my religion.

She is my God.

She is what is true to me—what is right;

What I recognise as sacred, dear teacher.

She is perfection; perfection that is personified.

She, this divine thing, exudes loveliness;

Lovelier than the softest clouds, the greyest of skies,

More lovely than life itself.

For she is my life.

She is my everything.

 

Text © Antonia V. Iyer

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