Patrizia Bonanzinga’s project Chine Double examines the rapid transformation of Chinese society in the early 2000s, highlighting a shift toward globalized modernity and vertical urban expansion. Through duplicated figures within single frames, the work reflects identity fragmentation and the tension between past and present. Combining documentary photography with digital intervention, the series explores perception and social change. Bonanzinga, an Edge of Humanity Magazine contributor, presents a body of work that questions the individual’s place within an evolving environment shaped by memory and transformation.