Photographer Jaroslaw Zola presents the project titled “Industrial,” an ongoing study focused on the scale and complexity of large industrial constructions. The work draws influence from figures such as Margaret Bourke-White, Charles Sheeler, Jakob Tuggener, and the visual language of Soviet Constructivism. The project examines industrial structures built from concrete and steel, emphasizing their forms and surfaces as markers of human creation and effort. In the accompanying artist statement, Jaroslaw Zola describes a working process centered on small, time-limited visual studies. He is drawn to both natural landscapes and human-made environments, approaching each with the same level of attention and observation. The photographer works exclusively with medium format black-and-white film, which contributes to the consistency and clarity of his visual practice. The project “Industrial” highlights the characteristics of industry as subject matter, presenting large-scale structures as part of the human environment and as objects shaped through design and labor. The images focus on form, texture, and the constructed nature of these sites, reflecting the photographer’s interest in both aesthetic and structural qualities.