Gilles Desrozier’s Imaginary Bestiary presents animals outside their natural habitats, posed against painted backdrops, ruins, and reconstructed jungles. The series moves between document and fiction, questioning what we displace, confine, and watch disappear. Desrozier describes forty years of photography and twenty-two series as the creation of a world existing in a lingering no man’s land. His work incorporates photography, poetic text, and video. He states that his images are made without the intervention of AI.