Film Photographer Benedetta Falugi is the Edge of Humanity Magazine contributor of this photo essay.  From the “From River To Sea” series.  To see Benedetta’s body of work, click on any image.






I’ve always loved the analogic mood and all my works are made on 35mm film.

From River to Sea is a photo-series in which I decided to photograph a place located near a power plant (closed for years) along a river that flows into the sea and there are all these little wooden houses of fishermen. It is place for my little ‘magic’ I have known about since as a child I often went with my dad to let our dogs run or bathe them. It was one of those rare moments when I was alone with him and I remember those moments with great affection.

I decided to photograph this place by instinct (like almost all the things I do), especially the wooden houses and the towers of the powerhouse, I snapped for many hours, but then I chose the sunset, which has the most beautiful homogeneous light. Later I would like to photograph people who live there and the interior of the houses if I can. I hope so.







All images and text © Benedetta Falugi



See also:

Lost in Elements

By Benedetta Falugi





Edge of Humanity Magazine is an independent nondiscriminatory platform that has no religious, political, financial, or social affiliations.

We are committed to publishing the human condition, the raw diverse global entanglement, with total impartiality.


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